A complete fiber-connected broadcast solution: URSA Broadcast G2, Studio Viewfinder G2, Focus and Zoom Demand, and Fiber Converters deliver cinematic quality, ergonomic control, and remote operation over SMPTE fiber for high-end studio and live production.
The Blackmagic Live Fiber Camera Channel Bundle is a fully integrated broadcast solution engineered for high-end studio and remote production workflows. At its core is the URSA Broadcast G2, a versatile 3-in-1 camera that functions as a 4K broadcast camera, a 4K studio camera, and a 6K digital film camera. Its advanced Super 35mm sensor with 13 stops of dynamic range and dual native ISO up to +36dB delivers exceptional low-light performance and cinematic image quality. The camera supports Blackmagic RAW, ProRes, and H.265 formats, and records to dual CFast 2.0, SD UHS-II cards, or external USB-C drives.
The URSA Studio Viewfinder G2 transforms the camera into a true studio powerhouse. Featuring a large 7-inch high-brightness display with adjustable tilt and pan, grip handles, and physical controls for brightness, contrast, and focus peaking, it provides precise monitoring and ergonomic control. The integrated tally light system and V-Lock mount ensure seamless integration into professional studio setups.
The Focus Demand and Zoom Demand units bring fingertip lens control to the studio floor. Mounted directly to tripod handles, they allow precise remote operation of B4 lenses without touching the camera. The Zoom Demand includes programmable buttons for triggering camera functions, streamlining live production workflows.
The Blackmagic Camera Fiber Converter and Studio Fiber Converter extend the camera’s capabilities with SMPTE fiber connectivity, enabling remote control, talkback, tally, and power over distances up to 2 kilometers. This setup allows full camera operation from the control room, making it ideal for multi-camera live events, concerts, and studio productions. The fiber converters integrate seamlessly with ATEM switchers and support advanced workflows including shading, tally, and camera control via a single cable.
Together, this bundle delivers a robust, scalable, and future-proof broadcast system that supports everything from local studio shoots to remote multicam productions. It’s the ultimate solution for broadcasters seeking uncompromising image quality, ergonomic control, and long-distance connectivity.
Items in this bundle:
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
B4 2/3 inch installed
Active EF mount also included
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
In-camera correction of color fringing when using compatible broadcast lenses.
13 Stops
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
additional 1.1 stop light loss using 4K B4 mount.
64.62dB for 2160p
Ultra HD scaled from 5.3K
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
4 inch
LCD capacitive touchscreen.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3Kwindowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
1920 x 1080 (HD) up to 150 fps
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1
1
1
1.5G, 3G, 6G, 12G.
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 12-pin Hirose Broadcast Lens Connector
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.
Integrated stereo microphone.
1 x mono speaker.
Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.
YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.
Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
Learn MoreDaVinci YRGB.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS‑II cards
1 x high speed USB‑C expansion port for external media.
2.5 inch SSD using optional URSA Mini Recorder
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s
5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 - 248 MB/s
Blackmagic RAW 5:1 - 149 MB/s
Blackmagic RAW 8:1 - 94 MB/s
Blackmagic RAW 12:1 - 63 MB/s
Blackmagic RAW Q0 - 186 to 371 MB/s
Blackmagic RAW Q1 - 125 to 297 MB/s
Blackmagic RAW Q3 - 84 to 213 MB/s
Blackmagic RAW Q5 - 51 to 125 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s
Blackmagic RAW 5:1 - 106 MB/s
Blackmagic RAW 8:1 - 67 MB/s
Blackmagic RAW 12:1 - 45 MB/s
Blackmagic RAW Q0 - 133 to 265 MB/s
Blackmagic RAW Q1 - 89 to 212 MB/s
Blackmagic RAW Q3 - 60 to 152 MB/s
Blackmagic RAW Q5 - 36 to 89 MB/s
3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
H.265 SDI - 12.3 MB/s
H.265 High - 10.8 MB/s
H.265 Medium - 7.8 MB/s
H.265 Low - 3.2 MB/s
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
H.264 SDI - 7.0 MB/s
H.264 High - 5.6 MB/s
H.264 Medium - 3.2 MB/s
H.264 Low - 1.8 MB/s
Blackmagic RAW 3:1 - 19 MB/s
Blackmagic RAW 5:1 - 12 MB/s
Blackmagic RAW 8:1 - 7.8 MB/s
Blackmagic RAW 12:1 - 5.2 MB/s
Blackmagic RAW Q0 - 23 to 47 MB/s
Blackmagic RAW Q1 - 16 to 37 MB/s
Blackmagic RAW Q3 - 10 to 27 MB/s
Blackmagic RAW Q5 - 6 to 16 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Apple ProRes 3840 x 2160 and 1920 x 1080 with film,video or extended video dynamic range or custom 3D LUT.
H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.
H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Blackmagic Cloud and clip sharing features compatible with and DaVinci Resolve 18.6 or later.
Integrated Login to Blackmagic Cloud for sharing to a DaVinci Resolve project.
Captured media automatically uploads to a Blackmagic Cloud DaVinci Resolve project.
Select recorded clips or files manually share to a Blackmagic Cloud DaVinci Resolve project.
Proxies Only or Originals and Proxies.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V DC 100W power supply with 100 - 240V AC 50/60Hz IEC C14 input.
1 x 4-pin XLR port for external mains power supply or battery use.
1 x 12-pin Molex connector under rear battery plate.
+12V 4-pin XLR regulated output on side of camera
+12V D-Tap regulated output on VLock battery plate
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
Blackmagic URSA Viewfinder
Blackmagic URSA Studio Viewfinder
Blackmagic Camera Fiber Converter
Blackmagic Studio Fiber Converter
Blackmagic URSA Mini Pro PL Mount
Blackmagic URSA Mini Pro F Mount
Blackmagic URSA Mini Mic Mount
Blackmagic URSA Mini Recorder
Blackmagic URSA Gold Battery Plate
0° to 40°C (32° to 104°F)
-20° to 45°C (-4° to 113°F)
0% to 90% non-condensing
1 x BNC.
1.5G, 3G.
1 x 4 pin XLR 12V.
7" 1920 x 1200 resolution.
7" high brightness TFT LCD
2000 nits
1 x USB type C connector for initial setup and software updates via Blackmagic Camera Setup software.
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080i50, 1080i59.94, 1080i60
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M 2084.
4:2:2 YUV.
10-bit.
REC 601, REC 709.
SDI switches between 1.5 Gb/s HD and 3.0 Gb/s 60P HD.
Dial, knobs and customizable function buttons for settings, short cut features and navigating menus.
Built in grab handles for positioning the monitor independently from the camera.
Variable tension pivot points for articulated arm and grab handles with forward, backward, up, down, pan and tilt adjustments.
Quick release V-lock mounting bracket for attaching viewfinder to URSA Mini handle.
Large LED tally light with customizable perspex camera numbers.
Detects camera information embedded in the SDI signal including status information, frame guides, focus peaking, tally, and more.
On screen meters and status information including Camera ID, resolution, frames per second, shutter speed, gain, white balance, camera battery level, and more.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
12V power input via 4 pin XLR connected via URSA Mini 12v power output.
0° to 40° C (32° to 104° F)
-20° to 60° C (-4° to 140° F)
0% to 90% non-condensing
1x SMPTE Hybrid Fiber Optic
with SMPTE 304 connector (Male).
1x 12G SDI for Camera feed.
1x 3G SDI for Camera return
feed, 3x 3G SDI for Return SDI Outputs.
2x 5-pin XLR for headset with three way
audio mixer per output, 1x Tracker output.
2x 3-pin XLR Inputs for AES,
Line or Mic input. Phantom Power available.
1x USB-C connector.
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p60
SMPTE 259M, SMPTE 292M, 296M,
372M, 424M Level B, 425M.
Television standard sample rate of 48Khz, 24 bit A/D conversion.
4:2:2
10-bit
REC 709, REC 2020.
SDI switches between HD,
3G-SDI, 6G-SDI and 12G‑SDI.
Camera Utility for firmware update.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non‑condensing
1x SMPTE Hybrid Fiber Optic
with Female SMPTE 304 connector.
3x 12G SDI Return feeds with Program,
Camera Control, Tally, Genlock and Intercom on Return 1.
2x 12G SDI for Ultra HD up to 60p.
SDI Channels 15 and 16 for Production,
Analogue in and out supported via 25-pin connector for Production and Engineering talkback support.
4x camera analogue audio outputs.
1x Optical I/O via 10 Gb-E
(not currently active).
1x USB-C.
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 259M, SMPTE 292M, 296M,
372M, 424M Level B, 425M.
Television standard sample
rate of 48Khz, 24 bit A/D conversion.
4:2:2
10-bit
REC 709, REC 2020.
SDI switches between HD,
3G-SDI, 6G-SDI and 12G-SDI.
Camera Utility for firmware update.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
100 - 240V AC input.
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
1x Blackmagic URSA Broadcast G2
1x Blackmagic URSA Studio Viewfinder G2
1x Blackmagic Zoom Demand
1x Blackmagic Focus Demand
1x Blackmagic Camera Fiber Converter
1x Blackmagic Studio Fiber Converter