Blackmagic Micro Studio Camera 4K G2
Ultra-compact 4K studio camera with MFT mount, 13 stops dynamic range, 12G-SDI, and USB-C RAW recording. Perfect for live production and cinematic capture.
Ultra-compact 4K studio camera with MFT mount, 13 stops dynamic range, 12G-SDI, and USB-C RAW recording. Perfect for live production and cinematic capture.
The Blackmagic Micro Studio Camera 4K G2 is the world’s smallest Ultra HD live production camera, engineered for maximum flexibility in tight spaces without compromising on professional features. Built around a Four Thirds sensor with 13 stops of dynamic range and dual native ISO up to 25,600, it delivers exceptional image quality even in low-light environments. The camera supports 12G-SDI and HDMI output, enabling broadcast-quality video up to 2160p60, and integrates seamlessly with ATEM switchers for full remote control of color, tally, and lens functions.
Its compact magnesium alloy body includes an active MFT lens mount, allowing compatibility with a wide range of photographic and cine lenses. The camera can record Blackmagic RAW directly to external USB-C drives, making it suitable not only for live production but also for cinematic workflows. With multiple mounting points, integrated stereo microphones, and support for remote control via SDI, HDMI, or USB Ethernet adapters, the Micro Studio Camera 4K G2 is ideal for broadcast, streaming, education, and corporate AV setups.
17.78mm x 10mm (Four Thirds)
Active MFT Mount.
Iris, focus, zoom on supported lenses.
13 Stops.
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
63dB for 2160p.
3840 x 2160 (Ultra HD) up to 60 fps.
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second.
Off-speed frame rates up to 60 fps in Ultra HD.
Auto focus available using compatible lenses.
Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
1 x 1/4 inch (top),
3 x 1/4 inch (bottom).
1 x 12G‑SDI Micro BNC
1 x 12G‑SDI Micro BNC
3G, 6G, 12G
1
1 x HDMI Type A output.
HDMI output is always HD, up to 1080p60.
1 x 3.5mm Stereo Input. Can also be used for Timecode input.
Program SDI Input on camera.
2 channels of program audio embedded in 3G/6G/12G-SDI.
2 channels 48 kHz and 24‑bit.
Remote camera control over SDI, HDMI or USB Ethernet with suitable adapter.
1 x USB Type‑C 3.1 Gen 1 (up to 5Gb/s) expansion ports for external recording and focus / zoom demand connection. Software updates using USB‑C Port.

Integrated stereo microphone.
None
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.
Television standard sample rate of 48 kHz and 24‑bit.
1 x USB-C 3.1 Gen 1 expansion ports for external media for recording Blackmagic RAW.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1
Blackmagic RAW Constant Bitrate 5:1
Blackmagic RAW Constant Bitrate 8:1
Blackmagic RAW Constant Bitrate 12:1
Blackmagic RAW Constant Quality Q0
Blackmagic RAW Constant Quality Q1
Blackmagic RAW Constant Quality Q3
Blackmagic RAW Constant Quality Q5
1 x USB‑C 3.1 Gen 1 expansion ports for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate.
Storage rates based on 30 frames per second.
3840 x 2160 (Ultra HD)
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
5 control buttons including Set, Up, Down, Menu, and Power.
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
Blackmagic Control Protocol over SDI and HDMI for external control when used with a compatible ATEM switcher with ATEM Software Control or ATEM Camera Control Panel. Includes control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and record start and stop to external media via USB expansion port.
Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
Download files from any drive attached to your camera using FTP.
File sharing using SMB.
DaVinci YRGB
1 x front facing for talent.
Blackmagic Camera Setup for Mac and Windows.
Mac 13.0 Ventura,
Mac 14.0 Sonoma or later.
Windows 10 and 11.
1 x External 12V DC 36W power supply.
1 x 12V DC locking 5.5 mm barrel connector.
18 ‑ 25 W.
Blackmagic PYXIS Monitor
Blackmagic Focus Demand
Blackmagic Zoom Demand
ATEM Mini switchers
ATEM SDI switchers
ATEM Television Studio switchers
ATEM Constellation switchers
Blackmagic Video Assist
LP-E6 Battery
Micro BNC Cables

0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Micro Studio Camera 4K G2
Turret dust cap
External 12V DC power supply with locking connector and international socket adapters for most countries.
Welcome wallet with QR code for software download
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