De nieuwe Blackmagic URSA Broadcast G2 is een ongelooflijk krachtige camera voor ENG en programma werk, maar ook inzetbaar als een professionele studiocamera!
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
The Blackmagic URSA Studio Viewfinder G2 is based on a large 7 inch display and is perfect for tripod mounted studio camera use. It totally transforms the camera into a true studio camera. The studio viewfinder also includes a large tally light and easy to access controls. It's even fully adjustable.
The Blackmagic URSA Studio Viewfinder G2 mounts using a standard V-Lock mount, so it’s easy to attach it to the top of a camera. It can mount to the top of the camera body, or the top of the SMPTE fiber converter if customers have one installed on the camera. It features a bright 7" 2,000 nit display with grip handles so it’s very easy to position it independently of the camera, even while their camera is on air. The mount allows the viewfinder to be tilted up and down and rotated sideways. Then customers can adjust the lock knobs to vary the amount of tension on the viewfinder adjustments. There's also a metal sunshade for use when in bright outdoor locations and the sunshade can be removed quickly when not needed.
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
B4 2/3 inch installed
Active EF mount also included
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
In-camera correction of color fringing when using compatible broadcast lenses.
13 Stops
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
additional 1.1 stop light loss using 4K B4 mount.
64.62dB for 2160p
Ultra HD scaled from 5.3K
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus button turns on peaking, auto focus available using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
4 inch
LCD capacitive touchscreen.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3Kwindowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
1920 x 1080 (HD) up to 150 fps
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1
1
1
1.5G, 3G, 6G, 12G.
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 12-pin Hirose Broadcast Lens Connector
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.
Integrated stereo microphone.
1 x mono speaker.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
DaVinci YRGB.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS‑II cards
1 x high speed USB‑C expansion port for external media.
2.5 inch SSD using optional URSA Mini Recorder
Storage rates based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s
5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 - 248 MB/s
Blackmagic RAW 5:1 - 149 MB/s
Blackmagic RAW 8:1 - 94 MB/s
Blackmagic RAW 12:1 - 63 MB/s
Blackmagic RAW Q0 - 186 to 371 MB/s
Blackmagic RAW Q1 - 125 to 297 MB/s
Blackmagic RAW Q3 - 84 to 213 MB/s
Blackmagic RAW Q5 - 51 to 125 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s
Blackmagic RAW 5:1 - 106 MB/s
Blackmagic RAW 8:1 - 67 MB/s
Blackmagic RAW 12:1 - 45 MB/s
Blackmagic RAW Q0 - 133 to 265 MB/s
Blackmagic RAW Q1 - 89 to 212 MB/s
Blackmagic RAW Q3 - 60 to 152 MB/s
Blackmagic RAW Q5 - 36 to 89 MB/s
3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
H.265 SDI - 12.3 MB/s
H.265 High - 10.8 MB/s
H.265 Medium - 7.8 MB/s
H.265 Low - 3.2 MB/s
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
H.264 SDI - 7.0 MB/s
H.264 High - 5.6 MB/s
H.264 Medium - 3.2 MB/s
H.264 Low - 1.8 MB/s
Blackmagic RAW 3:1 - 19 MB/s
Blackmagic RAW 5:1 - 12 MB/s
Blackmagic RAW 8:1 - 7.8 MB/s
Blackmagic RAW 12:1 - 5.2 MB/s
Blackmagic RAW Q0 - 23 to 47 MB/s
Blackmagic RAW Q1 - 16 to 37 MB/s
Blackmagic RAW Q3 - 10 to 27 MB/s
Blackmagic RAW Q5 - 6 to 16 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Apple ProRes 3840 x 2160 and 1920 x 1080 with film,video or extended video dynamic range or custom 3D LUT.
H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.
H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Mac 10.15 Catalina,
Mac 11.1 Big Sur or later.
Windows 10, 64-bit.