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  • Blackmagic ATEM Microphone Converter Right Angle
  • Blackmagic ATEM Microphone Converter Front
  • Blackmagic ATEM Microphone Converter Left Angle
BlackMagic Design
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Blackmagic ATEM Microphone Converter - Uitverkoop

Het is nu eenvoudig om de MADI-ingang op de ATEM Television Studio-switchers uit te breiden om meerdere microfoons of externe audiomixerbronnen toe te voegen. De ATEM-microfoonconverter kan eenvoudig worden aangesloten op de ATEM Television Studio MADI-poort, dus er is geen installatie vereist en extra eenheden kunnen zelfs in serie worden geschakeld voor meer bronnen.

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  • $326.00 (excl. btw)
    $394.46 incl. btw
  • $430.00
  • - 24%

The ATEM Microphone Converter’s MADI output embeds the 4 analog inputs as MADI channels 1, 2, 3 and 4. ATEM Microphone Converter also includes a MADI input, which is used to loop multiple converters when customers need more than 4 channels of audio on a single MADI link. This means if a second converter is connected to the input of another, the upstream converter will stack its 4 channels above the 4 channels on the downstream converter.

Each analog input channel has an ultra low noise, fixed gain pre amplifier scaled to drive a high dynamic range audio ADC, which totally eliminates using an analog microphone pre amplifier in the design so the input does not suffer from preamp gain step clicks or "zipper noise". The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analog to digital conversion using 8 high dynamic range audio ADCs that function collectively as one ultra high dynamic range audio ADC. This means each input channel’s dynamic range is an incredible 131 dB(A).

A common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design where the input is converted directly using its ultra high dynamic range conversion so customers pass RAW audio to the switcher where the switcher can then apply as much gain as required for the correct audio level. This means customers don't get an injection of noise caused by an analog gain stage, so customers get an extremely low fixed noise floor of -129dBV regardless of digital gain applied.

With the wide dynamic range input that eliminates the need for an analog pre amplifier, microphone levels are adjusted by a digital pre amplifier gain stage that is extremely stable. Different microphone types and brands can vary widely in analog audio levels, so this digital gain stage allows compensation for the specific brand of microphone customers use. Best of all, the digital pre amplifier is processed in the full internal 32 bit RAW audio bit depth, so users are adjusting with much greater precision than the MADI audio standard can support.

The innovative design of the ATEM Microphone Converter also has other benefits, such as extremely precise matching between input audio channels. The multi ADC per input design technique means that each analog audio input has very similar specifications and tolerances so all input channels are statistically more uniform. Plus the unique 8 ADC input design will maintain a stable and consistent flat noise floor that won't experience the negative effects of noise floor level modulation that traditional staggered ADC designs suffer from.

ATEM Microphone Converter also includes an HDMI video monitoring output so customers can connect a simple TV or computer monitor for a full status display. It includes 4 scrolling waveforms over the last 60 seconds of time, which is both informative and fun to watch. There are also audio meters to show the level at the input connector. There are also indicators to show the switch settings for mic/line input selection and phantom power. Plus if customers daisy chain converters the monitoring output will adapt and display more than 4 channels.

"We are very excited by this product because we spent a lot of time innovating on the analog conversion design for incredibly high quality," said Grant Petty, Blackmagic Design CEO. "We didn't want to design a cheap converter, we wanted to design the best, so the benefit to customers is their microphones will have a very low noise floor so there is no background noise. The noise floor of this converter is lower than all the microphones we tested! That means any customer can get radio station audio quality without any technical knowledge. The converter does it all."

ATEM Microphone Converter Features

  • Expand audio inputs with ATEM Microphone Converter.
  • Robust converter style design.
  • Connects via MADI for multi channel audio.
  • Extremely low noise floor of -129dBV.
  • Ultra high dynamic range of 131 dB(A).
  • Precise input matching and low distortion of 0.002%.
  • Includes HDMI monitoring output with scrolling audio waveform display.

Connections

Analog Audio Inputs

4 x Combination 3-pin XLR and TRS 1/4 inch Jack switchable between +24dB line and mic level with support for +48V phacntom power.

MADI Inputs

1 x BNC supports 64 channel MADI digital audio

MADI Outputs

1 x BNC supports 64 channel MADI digital audio

HDMI Video Outputs

1 x monitor out.

Computer Interface

1 x USB-C with locking screw

Ethernet

Supports 10/100/1000 BASE‑T.

ZoomATEM Microphone Converter

HDMI Output Standards

HD Video Standards

1080p24, 1080p25, 1080p30, 1080p48, 1080p50, 1080p60

HDMI Monitoring

Displays ATEM Microphone Converter name and 4, 8, 12 or 16 audio channels with 60 second waveform history. Also includes individual channel name, VU meters, mic or line level setting and phantom power status.

Audio

ADCs Per Input

8

Digital Preamp

32-bit

Dynamic Range

131dB(A)

Noise Floor

-129dBV

Total Harmonic Distortion at full scale

0.002%

Output Sample Depth

24-bit

Output Sampling Rate

48KHz

MADI Compliance

AES10-2020

Software

Software Control

Mac™ and Windows™ software upgrade via USB or Ethernet.

Internal Software Upgrade

Via downloadable utility application.

Operating Systems

Mac icon

Mac 12.0 Monterey,
Mac 13.0 Ventura or later.

Windows Icon

Windows 10, 64-bit.
Windows 11.

Settings Control

Software Settings Control

USB and Ethernet via free software utility.

Hardware Switches

Mini switches for selecting mic or line level and setting +48V phantom power on/off.

Power Requirements

Power Supply

1 x External 12V power supply with locking connector.

Power Consumption

12W max.

Operational Voltage Range

12V to 17.5V DC

Physical Specifications

ATEM Microphone Converter

Environmental Specifications

Operating Temperature

0° to 40°C (32° to 104°F)

Storage Temperature

-20° to 60°C (‑4° to 140°F)

Relative Humidity

0% to 90% non‑condensing

  • ATEM Microphone Converter
  • External 12V DC power supply with locking connector and international socket adapters for most countries.
  • Welcome wallet with QR code for software download