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  • Atomos Sumo 19 SE
  • Atomos Sumo 19 SE
  • Atomos Sumo 19 SE
  • Atomos Sumo 19 SE
Atomos
AT113842

Atomos Sumo 19 SE

De Atomos Sumo 19 SE HDR-monitor, recorder en switcher is uitgerust met een verbeterd 19 inch QLED-touchscreen met een resolutie van 1920 x 1080 pixels en een helderheid van 2000 cd/m². Het beschikt over dezelfde mogelijkheden als zijn voorganger maar heeft een scherper en helderder beeldscherm.
 

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  • €1.995,00 (excl. btw)
    €2.413,95 incl. btw
  • - 0%

Proven. Reliable.

More than just a monitor – Sumo 19 is the perfect tool to bridge your 4K HDR workflow across multiple cameras, audio and Atomos devices. Sumo 19 is a Monitor-Record-Switcher, and highly adaptable to suit multiple applications.

Unlock the true potential of your RAW cinema cameras with the Sumo 19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo 19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT and more.

Live Quad-channel HD Switching & Recording

Take full advantage of 4 x SDI inputs and let Sumo 19 step into the role of a large-format quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real-time with a simple touch of the screen. Sumo 19 allows user to record a fifth ‘program’ channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set.

Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras. You can easily output the switched feed for live streaming with a solution as simple as the Atomos Connect 4K.

For professional productions large and small you save significant space — replacing several boxes in your rack, or decks and monitors on your desk with a single Sumo 19.

HDR in the field and in the studio

HDR really comes to life on the Sumo 19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or gaming consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.

10-bit ProRes and DNx up to 4Kp60

Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.

Physical Specifications  
Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without feet), 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with feet)
Weight 5.45kg / 12.0lb
Rack height Optional 3rd party
Mount points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side , 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount 100 x 100mm
Environmental  
Ambient operating temperature Up to 40° C
Construction and Control  
Body Aluminium alloy chassis with ABS Polycarbonate back plate
Cooling Actively controlled fan and Heat Sink
Tally light Rear and front
Multi-function button Power / lock Screen
Power  
Input voltage DC 12-16.8v, Battery 14.4V nominal
Operating power 75W
Compatible batteries V-Lock / Anton Bauer via XLR terminal, (optional mounting plates available) , 95Wh or larger recommended.
Battery Run time (Record) Battery dependent
Continuous power Dual Battery input via dedicated 4 pin XLR
DC in connector 4 pin XLR
Display  
Touchscreen SuperAtom IPS panel (capacitive touch)
Size 19 inch
Resolution 1920 x 1080
PPI 120
Bit depth 10Bit (8+2 FRC)
Backlight Type Edge lit
Brightness (cdm2 / nits) 1200nit (+/- 10% @ center)
Aspect ratio 16:9
De-interlace mode Yes, Graphic burning protection
Color Gamut Rec.709
Calibration support Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline  
Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display .Cube Format
3D LUT Output Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR output Conversion Log / HDR to HLG / PQ
Video Input  
HDMI 1 x HDMI (2.0) 4k p60
HDMI RAW No - HDMI Video only
SDI 2 x 12G & 2 x 3G
SDI RAW Apple ProRes RAW up to 6k
Bit Depth 8/10Bit Video / RAW up to 12Bit
Video Chroma Subsampling 4:2:2
HDCP copy protection Not supported
Metadata  
SDI File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
Video Output  
HDMI 1 x HDMI (2.0) 4k p60
SDI loop out 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
SDI Play out 1 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling 4:2:2
Bit Depth 10Bit Video / 12Bit RAW
Web Streaming  
USB UVC Optional via Connect 4k
Video Signal Conversion  
HDMI to SDI Yes - Video and RAW
SDI to HDMI Yes - Video and RAW
Audio In/Out  
Audio Quality 24/48kHz
Audio Codec PCM
HDMI 8ch 24Bit, input dependent
SDI 12ch 24Bit, input dependent
Analogue Audio in 2 x XLR
Analogue Audio Out 2 x XLR
Speakers 2 x 5w
Headphone out 3.5mm 2ch.
Timecode / Sync  
Embedded HDMI and SDI
Time of day Yes, Time and Date
LTC LTC via BNC input in Record mode
Genlock GenLock in Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)  
6k RAW Only up to 30p via SDI Only
4k DCI 23.98/24/25/29.9/30/50/59.94/60p
4k UHD 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p
FHD 1920 x 1080 Progressive 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced 23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p 50/59.94/60p
Recording CODEC  
CDNG For SDI RAW inputs Only
Apple ProRes RAW ProRes RAW, HQ
Apple ProRes LT, 422, 422HQ
Avid DNxHD 220x,220,145,36
Avid DNxHR LB, SQ, HQ, HQX
Playback  
Playlist Yes, Create customer play lists from full or sub clips
Loop Yes, with user customisable in / out markers
Apple ProRes Raw Yes, recorded clips
Apple ProRes Yes, with Linear PCM audio
Avid DNx Yes, with Linear PCM audio
Recording functions  
Pre-roll record Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record Yes Up to 1080p 60
Multi Input / Switching  
SDI A/B toggle Yes, Up support up to 12G SDI per input
Dual Input display Via Multi ISO input mode
Multiple SDI input Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions Auto or manual XML transition
Supported media  
Master Caddy I Not compatible
SSDmini Yes BUT ONLY with optional SSDmini handle
File Naming Unit Name - Scene/Shot/Take, Arri & RED via SDI
File System ExFAT
On screen tools  
Waveform Yes, 3 size / Position
RGB parade Yes, 3 size / Position
Vector scope Yes, 2 size / Position
1 x Zoom Yes. 1:1 Pixel mapping for 4k
2 x Zoom Yes
Focus peaking Colour selected / threshold setting / colour/ Mono / edges only
False colour Yes, with Scale
Zebra Yes, Adjustable
Isolate color channel Blue Only
Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Safe areas Action and Graphic
Anamorphic desqueeze 1.25x, 1.33x, 1.5x ,1.8x, 2x
Display Flip Vertical Only
Onboard Signal Processing  
Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
4K UHD Downscale for HD Loop out - 4K UHD to FHD
DCI Crop Loop out - 17:9 to 16:9 Crop
Remote control  
HDMI Auto HDMI Trigger, Supported Protocols - Canon, Sony,Atomos Open Standard
SDI SDI trigger camera selectable
Serial 2.5mm Jack LANC control and calibration viaoptional USB to serial cable
Supported Applications  
XML Cut tag EDL and Multicam with transitions in FCP XML
Apple ProRes RAW Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
Video Codecs All applications with support for Apple ProRes and Avid DNX in .MOV wrapper